anonymous iv造句

例句与造句

1. Anonymous IV was most likely aware of this manuscript when he wrote.
2. Anonymous IV mentions L閛nin and P閞otin as the best composers of organum and discant respectively.
3. Again according to Anonymous IV, P閞otin wrote a number of replacement clausulae from organa dupla by L閛nin.
4. Both were mentioned by an anonymous English student, known as Anonymous IV, who was either working or studying at Notre Dame later in the 13th century.
5. Along with Johannes de Garlandia and Franco of Cologne, whose work precedes his, Anonymous IV's writings are the main source for understanding the Notre Dame school of polyphony.
6. It's difficult to find anonymous iv in a sentence. 用anonymous iv造句挺难的
7. The relevant contemporary authors that write about organum of the Notre Dame School, Anonymous IV, cadences or a preparation of a cadence, where they are also referred to as " copulae ".
8. Hucbald, Isidore of Seville ( who famously said it was impossible to notate music ), Anonymous IV, . . . ( talk ) 16 : 15, 14 November 2010 ( UTC)
9. Anonymous IV also mentions the work of the theorist Franco of Cologne, and gives descriptions of organum, discantus, rhythmic modes, rules for use of consonance and dissonance, notation, and genres of composition.
10. P閞otin " is the best composer of Discantus ", according to Anonymous IV, an English student, writing ca . 1275, who has provided at least a few morsels of factual information on Paris Organum and its composers.
11. Notes could be broken down into shorter units ( called " fractio modi " by Anonymous IV ) or two rhythmic units of the same mode could be combined into one ( " extensio modi " ).
12. All that is known about him comes from the writings of a later student at the cathedral known as Anonymous IV, an polyphonic music for the first time, and, equally important, to create a method of notation expressive of this rhythm ."
13. The name of the group is a pun on the name used to refer to an anonymous English music theorist of the late 13th century, Anonymous IV, who is the principal source on the two famous composers of the Notre Dame school, L閛nin, and P閞otin.
14. Written during the 12th and early 13th centuries, this series of compositions is attributed to masters of the Notre Dame school of music, most notably L閛nin and his successor P閞otin . ( These names survive today because of the testimony of an English music theorist known simply as Anonymous IV .)
15. Three music theorists describe the contemporary practice : Johannes de Garlandia, Franco of Cologne, and Anonymous IV . However, they were all writing more than two generations after the music was written, and may have been imposing their current practice, which was quickly evolving, on music which was conceived differently.
16. Other writers who covered the topic of rhythmic modes include Anonymous IV, who mentions the names of the composers L閛nin and P閞otin as well as some of their major works, and Franco of Cologne, writing around 1260, who recognized the limitations of the system and whose name became attached to the idea of representing the duration of a note by particular notational shapes, though in fact the idea had been known and used for some time before Franco.
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